Anne E Stoner | Collection of Work
Anne E. Stoner is a post-studio sound artist and researcher whose work criticizes infrastructural and political systems of disability, injury, and death.
Her work brings about and coalesces studies in bodily complexities and disability studies, human geographical theories and psychogeographies, contemporary methodologies in ethnographic archiving and queer anthropology, new possibilities within technology and studies within human movement and routine, to create a practice with an empathetic methodology that challenges visual standards within 21st century artmaking. Her work has been shown nationally and internationally, including venues such as the Tang Museum, New York State, the Chazen Museum, Madison, and the Morley Gallery, London. Anne’s sound and writing can be read and listened to in Resonance: The Journal of Sound and Culture, Global Performance Studies Journal, and the Struer Tracks Sound Biennial Almanac.
Anne holds an undergraduate MA(h) from the University of Edinburgh, Edinburgh College of Art and an MA from Northwestern University. In 2023 she began working toward an MFA in Studio Art from the University of Wisconsin, Madison.
Email: anneestoner@gmail.com
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Anne E. StonerHome
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Infrastructure Bodies/Injury Systems
2026
The Power, The Shiver, The Anthropocene: An Exhibition on the Great Texas Freeze
2025
The Disabled Wandering Atlas: A Distanced Social-Curatorial Project
2025
Drowning Out the Noise: Private Listening, Public Spatialities, Queer Wellbeing
2021-2025
Evocations, City Invisible
2024
Sounding Together: Exploring Ethics and Reflexivity in Social, Participatory, and Ethnographic Sound Recording
In the Struer Tracks Biennial Almanac
2025
Desired Paths, Required Movement: A Guide to Traveling While Chronically Ill in This Place
In Global Performance Studies Journal
2023-2025
Intersubjectivity (If I tell you how it felt, can you feel it too?)
2024
Sonic Mobilities
2024
In Conversation with the Floor Beneath My Feet
2023
Walk Upon our Sweet and Blessed Land!: Exploring Walking, Complex Embodiment and Shared Space through a Soundwalk on Edinburgh's Water of Leith Walkway
First iteration recorded April, 2021
Second iteration recorded December, 2021
Cartesian Mind Over Cartesian Body: Ugly and Unlikeable Perspectives on Physical Trauma, on Wooden Floor, on Tape
2022
I am not drifting, I am moving the best I know how: An Analysis of Desired Paths and Required Paths, in Offense of Situationist International, in Public
2022
Sign Vehicles, Sign Aids
2022