Anne E. Stoner (b. 1999) is a sound artist, researcher and social practitioner whose work criticizes geographic, infrastructural and political systems of disability, injury, and death.
Her work has been shown nationally and internationally, with solo exhibitions at the Tang Museum, New York State, and the Chazen Museum, Madison. Anne’s sound and writing can be read and listened to in Resonance: The Journal of Sound and Culture, Global Performance Studies Journal, and the Struer Tracks Sound Biennial Almanac.
Anne holds an undergraduate MA(h) from the University of Edinburgh, Edinburgh College of Art and an MA from Northwestern University. In 2026 she earned an MFA in Studio Art, focusing in time-based media, from the University of Wisconsin, Madison. She currently teaches Art and Art History at Carthage College.
Email: anneestoner@gmail.com
CV
News:
October 15-17, 2026 - Speaking at the American Association for Arts of the Present (ASAP) Conference, 2026
June 2-29, 2026 - Artist in Residence at the I-Park Foundation
Apr 10–May 22, 2026 - Infrastructure Bodies/Injury Systems: An Exhibition by Anne E. Stoner at the Chazen Museum of Art
Anne E. StonerHomeNewsCurator’s Essay
Solo/Collaborative Exhibitions
Infrastructure Bodies/Injury Systems
At the Chazen Museum of Art
2026
The Power, The Shiver, The Anthropocene: An Exhibition on the Great Texas Freeze
+ Ashley McCullough
With the Kohler Foundation
2025
The Disabled Wandering Atlas: A Distanced Social-Curatorial Project
At the Robinson Map Library
2025
Elevator Music 52: Anne E. Stoner—Drowning Out the Noise
At the Frances Young Tang Teaching Museum and Art Gallery
2025
Individual Works
2026
S. 5th St. x Hennepin Ave., Minneapolis
01.30.26/ Portland Ave., Minneapolis
01.07.26
Single Channel Video, 05:40
S. Michigan Ave., Chicago 10.18.25/
S. Michigan Ave., Chicago 09.28.25
Single Channel Video, 06:53
S. 5th St. x Hennepin Ave., Minneapolis
01.30.26/ S. Evans Ave., Chicago 10.01.25
Single Channel Video, 06:40
E. Jackson x S. Michigan Ave., Chicago
10.18.25/S. Evans Ave., Chicago 10.01.25
Single Channel Video, 06:15
Infrastructure Bodies/Injury Systems (Machine)
Steel Eight-Channel Audio-Sculpture
When I look to the future, I hear it hum.
Single Channel Audio for 32-speaker Audio Trail, 13:46
Sound for Field/Field for Sound (In A Major)
Interactive, Motion-Capture Audio Installation
Untitled (Touch)
Touch-Audio Sculpture
2025
Evocations, City Invisible
Vibrative Touch-Audio Sculpture
Intersubjectivity (If I tell you how it felt, can you feel it too?)
Touch-Audio Sculpture
A Wandering Board Game
+ Anne Bookless
Laser-Engraved Board Game
The Power, The Shiver, The Anthropocene (System)
+ Ashley McCullough
Data-Driven Light-Audio Sculpture
The Power, The Shiver, The Anthropocene (N-1 Redundancy)
+ Ashley McCullough
Data-Driven Light-Audio Sculpture
2024
Desired Path: Evanston-1
Laser-Engraved Map
Desired Path: Madison
Laser-Engraved Map
Desired Path: Evanston-2
Laser-Engraved Map
Desired Path: Edinburgh-1
Laser-Engraved Map
Desired Path: Edinburgh-2
Laser-Engraved Map
Sonic Mobilities
Vibrative Audio Sculpture
2023
Ramona
Binaural Audio-Conversation
Joan
Binaural Audio-Conversation
Marla
Binaural Audio-Conversation
Elizabeth
Binaural Audio-Conversation
2022
Rita
Binaural Audio-Conversation
Matthew
Binaural Audio-Conversation
Jamie
Binaural Audio-Conversation
Eeli
Binaural Audio-Conversation
Writings
Perceptual Interception: Movement, Agency and Blindness in a Sensorial Public
+ Elizabeth Sheeler
Under peer review - publishing in Global Performance Studies Journal
2026
Sounding Together: Exploring Ethics and Reflexivity in Social, Participatory, and Ethnographic Sound Recording
In the Struer Tracks Biennial Almanac
2025
Drowning Out the Noise: Private Listening, Public Spatialities, Queer Wellbeing
In Resonance: The Journal of Sound and Culture
2024
Desired Paths, Required Movement: A Guide to Traveling With Chronic Illness in This Place
In Global Performance Studies Journal
2024
Cartesian Mind Over Cartesian Body: Ugly and Unlikeable Perspectives on Physical Trauma, on Wooden Floor, on Tape
2022
I am not drifting, I am moving the best I know how: An Analysis of Desired Paths and Required Paths, in Offense of Situationist International, in Public
2022
Walk Upon our Sweet and Blessed Land!: Exploring Walking, Complex Embodiment and Shared Space through a Soundwalk on Edinburgh's Water of Leith Walkway
2021